Perfect

Ed Sheeran · ÷ (Divide) · 2017

"Perfect" is an all-acoustic rhythm part: a small-body steel-string, capo at the first fret, close-mic'd and recorded live with the vocal — no amp and no pedals in the chain. Sheeran's documented studio guitars in this period were his signature Little Martin and a pair of custom Martin 00-28VS koa models, with Lowdens and a nylon-string also in the room, so the exact instrument on the take isn't confirmed. If you're amplifying it, aim for a clean, bright, lightly compressed acoustic sound with the bass trimmed and just a hint of reverb.

Where these numbers come from: worked out from the documented rig and the sound of the record

Tuning

Standard tuning, no capo · Capo at fret 1

Standard tuning with a capo at fret 1 puts the record's Ab major key under G, Em7, Cadd9 and D shapes; the take is in 12/8, and a second acoustic (played by co-producer Will Hicks) doubles the part in places.

Part: Rhythm

Guitar

  • Martin LX1E Ed Sheeran Signature · Fishman (Isys T / Sonitone) · mic'd — onboard pickup not used
  • Martin 00-28VS (custom, koa) · Fishman Matrix Infinity · mic'd at the studio

Amp

None — mic'd acoustic straight to console

There is no guitar amp on this record: Will Hicks says he recorded Sheeran's guitar and vocal simultaneously at the writing session, and engineer Joe Rubel describes the Divide-era acoustic approach as simply close-miking Ed's Martins and Lowdens with condensers (a pair of sE4400a mics is documented for earlier Sheeran sessions).

Amp

Acoustic combo (e.g. AER Compact 60)

GAIN
3.0
BASS
4.0
MID
5.5
TREBLE
6.5
REVERB
2.0

Practical live/amplified translation for a piezo-equipped small-body acoustic: bass pulled back to keep the capo'd strum from getting boomy, treble up for string chime, a touch of reverb for the record's roomy ballad feel.

Tone character

bright small-body acoustic · fully clean, no dirt · open-string chime · close-mic'd and compressed · gentle 12/8 strum · light low end

easy

Four open-position shapes (G, Em7, Cadd9, D) with a capo at the first fret; the work is in keeping an even, softly accented 12/8 strum and hitting the Dsus4–G/B–D/F# walk-ups cleanly.

Want this on your own amp?

These are the record's settings. Tell us what you play through and we'll translate every knob to the amp you actually own — free.

Adapt it to my gear

Sources